Small town Cyrus Stapleton thought hed done everything right married early, fathered two precocious kids, and partnered in his Seattle law firm but his wife Jude wanted to break out. He was comfortable in the middle of the pack and she yearned for something more. Jude saw Cyrus as all the czars and dictators of the 19th century rolled into a three-piece suit and herself as the liberated visionary. Soon enough she sheds her ring, then her married name, and finally her bewildered husband.
Gripped by the helplessness and distortion of vision that accompany the meltdown of his marriage, Cyrus is bewildered. How did it ever come to this? Is it the fault of Judes Sunday night womens group and its fiery leader, Lill Epstein, the ex-Army feminist with silicone breasts? Does Jude have a new lover? How does a reasonable man behave in the face of his wifes decision and her demands for custody, alimony, and child support? How can he salvage his relationship with his kids when he is relegated to twice-a-month fatherhood? And if these concerns arent enough, what is he to do when, contrary to his best judgment, he becomes attracted to none other than Lill Epstein. Searching for a way back to normalcy through a mens therapy group, the misguided assistance of his younger brother, and his kids (who begin to act out in troubling ways in response to their mothers new life choices) the issue becomes the survival of his children, not his own piece of mind, and Cyrus is forced to make hard and unexpected choices himself.
An emotional roller-coaster of a novel, A GOOD DIVORCE is propelled by unexpected twists and turns, legal conflicts, suspicions both real and imagined, and a decent mans struggle to find a middle ground between reason and emotion, while holding on to his most deeply held values.
When a man's wife abruptly leaves him for a female lover, there is the question of what is best for the children. "An earnest family drama from the author of Piper." --Kirkus
"Keegan, author of Clearwater Summer, draws a rich backdrop of period detail everything from open marriage to Eight Is Enough but keeps it firmly subordinate to a nuanced domestic drama. He resists turning his sociologically burdened characters into stereotypes, and explores how family members, even kids, grope for ideological rationales to make sense of the inchoate dynamics of daily life. This emotionally rich and socially aware novel touchingly evokes a time when the personal became awkwardly political." --Publishers Weekly